I happenstanced across this collection at my local library (which isn’t exactly up-to-date in the poetry section) and I was happily blown away by Limón’s poetry.
Sectioned into four parts, her poetry ranges from metaphysical reflections considering an entirely alternate life (“Every time I’m in an airport, / I think I should drastically / change my life,” from The Problem with Travel) to moving cross-country from hyper-urbanality to mundane Midwestern Kentucky, which later is learned to aid in a parent’s passing away.
Her poetry is accessible and honest, striking out beyond the pages in new criticism fashion: her words may mean one thing to her as an author and something entirely separate to me, another soul, as a reader. Regardless of life’s trials, a true master poet connects with readers in multiple poems on multiple levels at the intersection of our experiences in humanity. Limón is certainly a master poet.
For more on Bright Dead Things, published by Milkweed Editions in 2015, continue.